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  1. Joy is an act of resistance
  2. Welcome to Fish Publishing - Fish Publishing Fish Publishing
  3. Landmark poems of the last century
  4. by Benjamin Daniel Lawless

Perfect Nothing Catalog has produced immersive art environments and experiences, new-classical musical compositions, a bathing suit collection, gastronomic feasts, butoh performances, children's workshops, and a mud bath- disparate mediums, with the same message- "YES. April Design Miami , Coral Morphologic. Ayesha Singh , Misael Soto. The Standard , Waterproof. Hayden Dunham , Katerina Llanes. Fereshteh Toosi , Bridge Initiative. Deon Rubi , Jessica Martin , Nun.

Ruth Padel. I was struck by how funny many of the stories are, several of them joyously so — they are madcap and eccentric and great fun.


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  6. ISBN 13: 9781440467417.

Others — despite restrained and elegant prose — managed to be devastating. All of them are the work of writers with talent. Claire Kilroy. The writing comes first, the bottom line comes last.

Joy is an act of resistance

And sandwiched between is an eye for the innovative, the inventive and the extraordinary. A new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology. The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling.

I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. I sing those who are published here — they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. From these the judges have selected winners, we believe, of exceptional virtue. I was amazed and delighted at the range and quality of these stories.

Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. These stories voice all that is vibrant about the form. Very short stories pack a poetic punch.

Each of these holds its own surprise, or two. Dive into these seemingly small worlds. Each of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. The past is here. This Short Story collection, such a sharp and useful enterprise, goes beyond that.

Its internationality demonstrates how our concerns are held in common across the globe. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read.

These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart.

Welcome to Fish Publishing - Fish Publishing Fish Publishing

There are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story — grand, simple, complex or everyday, wishing to engage you the reader. Every story in this book makes its own original way in the world. The stories here possess the difference, the quirkiness and the spark.

They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one.

Landmark poems of the last century

How did they think of that? They read like they simply grew on the page. The writers in this collection can write short stories. Both poets are strange.

by Benjamin Daniel Lawless

But enough! There are heteronyms and ghosts everywhere. Language masquerading as men I don't know what I am, a stand-in, a heteronym, someone having an masquerading-crisis? Who wrote me? Did they get paid? Who knows. But I do know this: these two dubious poets are launched. This something that used to bother me, is bothering me again. And this sentence could be the first line of a new M A Carter poem. I'm referring to my discomfort with over-showing, over-researched novels.

Novels packed with 'knowledge' by writers who seem to have no direct line to that knowing by nature of time, lifestyle, experience, era, etc. And this following sentence is simply one kind of example, a description of how the child character Claire tries to stop her horse rearing and bucking:. She couldn't talk to the horse, reassure it by touch, tone and manner; she couldn't train the behaviour out?


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  • There Is Nothing Poetic About Fish.
  • No, she carries bags of water with her while riding. Not an easy or comfortable thing to do when riding. Water is heavy and bags of it would be cumbersome. How many fiddly bags of water does she carry? How big are they? Where does she carry them? What happens when this difficult horse of hers, minute by minute, bag after bag, realises the trick - or otherwise imagines it has bled to death?

    The horse is called The quote is from Divisadero by Michael Ondaatjie. It's about words into Claire's chapter, which is the first of the book. This startling kind of 'knowledge' and detail is a mannerism found in all of Ondaatjie's novels. It is very 'Ondaatjie' in feel and kind. The character is a loner or is given such private focalisation they become focused into a bubble of being — and their particular knowledge has to be odd, strikingly unusual so you remember it, usually vividly physical, usually esoteric or unique in feel, heightening and possibly 'poetic' in its strangeness Knowledge as motif.

    As a reader you are led to think no one else but Claire seems to know this bag-of-blood trick. Has anyone actually used this technique? Has Ondaatjie discovered the information by research and willfully applied it? Does he ride horses and is he attracted to the possible idea of it Or did he just make it up?

    And all the thousands of like descriptions found everywhere throughout his novels, researched by the author and his researchers. Nor is this a post-modern naivety on my part: prioritising lived experience over researched, the 'real' vs knowledge used to construct a simulacrum of period or purpose, ie: not 'real' and never real. A big difference.


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    • It feels like a sleight of hand whereby research is demonstrated into knowledge. And it's as relentless as a fetish. All of Ondaatjie's main characters nearly all minor characters, too know and perform amazingly ridiculously? It seems he cannot admit to his fiction any 'person' who is like most people — just averagely endowed with knowledge and or skills.

      That is, having nothing especially unusual or developed as a practice. After a short time of reading it starts to drive me crazy. Especially as each uniquely gifted character then runs into erotic encounter with another and their love blows up into uniquely detailed sensuality, is written as poetically and 'romantically' specific but also therefore, paradoxically, cliched Still, they have their talent to fall back on. He might be good to have on a quiz night table.